Est. 1908 · Apparatus & Effects

Three cards.
One of them is lying.

Turn one over. Behind each is a class of apparatus we have been making since Edwardian parlours were still a going concern.

Click a card to turn it

The deck you are handling is stock No. 1108 — also for sale.

The speciality

We started with cards.
We never quite stopped.

Everything else in this catalogue exists because a card trick needed it first. The cane was built to produce from a silk that had just held a chosen ace. The ladder came later, and for worse reasons.

Our stock is cut from linen-finished board, air-cushion finished, and broken in by hand before it ships. It fans when it is cold. It will still fan in a year.

A deck spread in a fan, one ace face up

Fig. 1The No. 1108 spread, seven cards shown. The ace is face up because one always is.

What arrives

Every effect ships with its method.

We have never understood shops that sell you the apparatus and keep the secret. A trick you cannot perform is an ornament.

In the box

The apparatus

Made to the plate you ordered, tested once by the person who made it, and marked with their initials on the underside.

On the sheet

The handling

Printed, folded, and written in plain language. Where the move is hard we say so, rather than calling it self-working.

In your hands

The practice

None of it works the first time. The sheet tells you roughly how many attempts to expect before it does.

“If the audience can work it out, we have not finished making it.”

The workshop rule, 1908

The catalogue runs
ninety-one effects deep.

Most of it will not suit you. A few pieces will spoil you for everything else you own.